Writing Fiction 3
Description
What is the relationship between creation and destruction? How might we creatively 'destroy' literary conventions, and to what ends, particularly in a time of widespread environmental destruction? This module considers the possibilities and potentials of experimental creative prose - not only the short story and the novel, but the creative essay, memoir and hybrid texts. You will read examples of work which deliberately destroys the boundaries between form and genre; you will also be encouraged to experiment in your own creative work.We will explore destructive writing from two angles. First, we will look at writing which breaks with the conventions of literary narrative, form, genre and language. We will focus, in particular, on texts that creatively engage with the failures writers experience during the writing process. Second, we will consider writing which explores destructive worlds - both internal and external, realist and dystopian and speculative. We will read examples of creative texts alongside craft essays and critical texts, relating our discussion of specific techniques and styles to broader questions about the ethical, political and philosophical purposes of creative prose.The seminars will alternate between text-based classes in which we will discuss set reading and engage in generative writing exercises, and workshops where you will exchange constructive critical feedback with your peers. You will be encouraged to take inspiration from the reading both in terms of writing process and in terms of technique. Teaching methods: Lectures, Seminars, Independent Study Assessment: Course work
Preview the 5 closest equivalencies already indexed in our system
EGH343 has possible credit equivalents including CWRI 393 at Queen's University, staff reviewed.